May 18, 2012

(Source: flickr.com, via lumpnode)

December 29, 2011
massiveaggressive:

seeing sound

massiveaggressive:

seeing sound

(Source: greasyheart)

August 30, 2011
mwahglow:

Blanche Calloway (February 9, 1904 - December 16, 1978) was a Jazz singer, bandleader, and composer from Baltimore, Maryland. She is not as well known as her younger brother Cab Calloway, but she may have been the first woman to lead an all male orchestra. Cab Calloway often credited her with being the reason he got into show business. She made her first recordings in 1925, with Louis Armstrong as a sideman on the session.

mwahglow:

Blanche Calloway (February 9, 1904 - December 16, 1978) was a Jazz singer, bandleader, and composer from Baltimore, Maryland. She is not as well known as her younger brother Cab Calloway, but she may have been the first woman to lead an all male orchestra. Cab Calloway often credited her with being the reason he got into show business. She made her first recordings in 1925, with Louis Armstrong as a sideman on the session.

(via soemily)

July 14, 2011
Pakistan is now #2 exporter of Scottish bagpipes

Things I never would have known but for tumblr.

motherjones:

If the recession-proof bagpipe market isn’t a reason for the US and Pakistan to patch up relations, I don’t know what is.

(via soemily)

June 16, 2011
awesomepeoplehangingouttogether:

“A Great Day in Harlem”:
A lot of famous jazz musicians, including Count Basie, Art Blakey, Art Farmer, Dizzy Gillespie, Benny Golson, Coleman Hawkins, Gene Krupa, Charles Mingus, Thelonious Monk, Gerry Mulligan, Oscar Pettiford, Sonny Rollins, Jimmy Rushing, Horace Silver, and Lester Young
(submitted by Bernie)

awesomepeoplehangingouttogether:

“A Great Day in Harlem”:

A lot of famous jazz musicians, including Count Basie, Art Blakey, Art Farmer, Dizzy Gillespie, Benny Golson, Coleman Hawkins, Gene Krupa, Charles Mingus, Thelonious Monk, Gerry Mulligan, Oscar Pettiford, Sonny Rollins, Jimmy Rushing, Horace Silver, and Lester Young

(submitted by Bernie)

June 9, 2011
"

Perhaps in some simplistic context, such violence might seem unnecessary, yet in a culture that consistently diminishes the violence associated with rape, often employing user friendly euphemisms like sexual violence—as was the case in the initial New York Times coverage of a recent Texas gang rape case—rather than call a rape a rape. As an artistic statement, intended to disturb the public square, Rihanna’s deployment of the gun is an appropriate response to the relative silence associated with acts of rape, let alone the residual violence that women accusers are subject to in the denial and dismissal of their victimization with terms like “she deserved it,” or “she was asking for it” because of her style of dress.

One wishes that as much energy that was expended criticizing Rihanna’s video for its gun violence was expended to address the ravages of the rape culture that we live in. One man may be down, but rape culture is still standing.

"

newblackman on the Rihanna video (via drst)

I have to admit I’m not a big fan of Rihanna’s pipes, but regarding the pseudo-concern about her video promoting gun violence, all I can say is, bullshit. Guns and violence are central fixtures of US culture (see: Palin), but only certain, very specific expressions of violence get the frowny stick-wavy treatment of mainstream media critics; in this instance, of course, a Black woman defending herself. Sorry but in my book, a victim of rape has the right to send her attacker to the cemetery. Period. Yeah I’m also a hopeful student of restorative justice and I’d love to see a world which transcends retribution, but we’re not there yet and until we are, I will believe in the right of oppressed, erased, trapped, unsupported people to defend themselves by any means necessary. 

From another angle: are Rihanna’s critics seriously against retributive violence? Because if I recall correctly, last month the President of the United States stood before the country and the world and basically held up the severed head of Osama Bin Laden to much national rejoicing. That was as unambiguous an illustration of the national belief in violent retribution as you could possibly muster. The “message to the children” from that momentous event was: When you’re pretty sure someone has gravely wronged you, the noble thing to do is, hunt them down and kill them. Nothing Rihanna could ever do in her career will come close to teaching a generation the patriotic value of retributive violence.

(via zuky)

This was EVERYTHING I wanted to say!

(via brandnewjones)

(via soemily)

June 3, 2011

So a bunch of middle-aged white guys do it and the song and video both win awards (Aerosmith, “Janie’s Got a Gun”), but a young black woman does it and scandal erupts? I wish I could say I was surprised.

dammitjean:thegirlwithbluehair:

So, I’m not usually particularly aware of most pop music and its happenings until like, three months after the fact (partially because I never listen to the radio, partially because I rarely watch TV), but I saw this lovely article calling Rihanna’s new video for “Man Down” an “an inexcusable, shock-only, shoot-and-kill theme song.”  I decided to watch the video (posted above) and see what they were referring to.

If you don’t feel like watching the video, the premise is a girl is generally carefree and walking around, enjoying herself until later that night, she goes to a club or party where a guy tries to dance with her, she turns him down, and he follows her home and it is implied that she is sexually assaulted.  She runs home, gets a gun, and shoots him.

Now, while this does indeed seem like a violent music video, I’m half-shocked and half-not-remotely-surprised that “family” groups and the media would choose this one to pick on.  Some of the most popular and widely circulated music videos on television advocate violence—and seldom are criticized half this badly—but that is not why they’re choosing this video to criticize.  In so many videos of the past fifteen years (and longer), there is a distinctively misogynistic tone—anybody who has seen Sut Jhally’s “Dream Worlds” would undoubtedly agree—where the females are continuously undermined, degraded, and turned into sex objects.  Dozens of women flocking around one or two men, dancing while scantily clad while allowing men to touch them, grab them, yell at them, control them, etc.. all while lyrics describing them as “hoes,” “bitches,” and “sluts” are spat out.  Think I’m exaggerating?  Watch MTV for one hour and count how many occurrences of this there are; sure, there are videos that don’t fall into this category, but there are hundreds that do.  And how odd is it that—despite these videos often not requiring an ounce of creativity—they’re still popular and being made frequently?  If misogyny isn’t still an issue in music videos, why is it that there are still audiences who enjoy watching degradation?

Anyways, my point: While these desperately uncreative videos are being spewed out by the music industry, a video like Rihanna’s stands out and is therefore attacked.  Why?  Not because it has a gun—because tons of videos have guns and/or discuss them, not because it has violence—loads of videos have that, as well, but because it’s a woman fighting back.  Deny it, call me an asshole feminist, whatever—but it’s true.  Take any video where there’s violence and sex involving men getting what they want and it’ll be (1)popular (2)not particularly criticized, but add a female and a motivation?  Suddenly, it’s mental warfare on children.

Don’t get me wrong—I don’t advocate violence.  I also really don’t advocate the glorification of sexual assault or sexual violence on anybody (men and woman alike).  However, I saw the video, and from what I saw, it was definitely not glamorized, nor was it beautiful, nor was it made to look like it was remotely acceptable behavior on his part.  I think if they had made it some long, drawn-out scene where it looked more like a dance or something “pretty,” I would’ve been extremely upset, but that was not the case.  As a survivor, I do not advocate for violence used as a revenge method, but given what trauma and PTSD do to the brain?  I’d be lying if I said it’s never crossed my mind, and I doubt I’m alone in that.

It’s similar to the way that music videos frequently show oiled-up women rubbing on one another while dancing for men and nobody bats an eye, but if somebody makes a video involving two men kissing or two women genuinely enjoying one another without performing for men, it’s suddenly oh-my-god-the-worst-thing-ever-what-are-we-doing-to-our-kids?!  These double standards exist all over the industry and if you’re the sort of person who sort of shrugs and accepts them because these don’t directly affect you, so be it, but they’ll continue to exist until people stop accepting them as fact.

Regardless of whether or not violence and sexual violence are “okay” to show on television, it still stands that this particular video is being attacked for reasons way beyond that.  Considering Law & Order: SVU, CSI, dozens of music videos, and so many other programs that utilize and exploit extreme sexual abuse and violence as plot devices and rating boosters are still on the air, the guided conclusion of these particular claims on this particular video is that this needs to be taken off the air because it shows fighting back.

Fabulous commentary. I second completely.

(via soemily)

April 22, 2011
“Rest Your Head on My Shoulder,” by Nathaniel Street-West. Actually not a bad choice, although not really topical for a funeral.
izzylooks:

alexandra-udinov:

opposite-directions:

candicemeester:

k-graham:

wtfisinnerbeauty:

imlyingtoimpressyou:

miracle outro. AMEN. I LOVE IT.

Your Not Sorry - Taylor Swift. HAHAHA…okay…..

friends zone, electrik red. 

Born This Way - Lady Gaga! :)

‘stars’ by the xx?

Thinking of you - Katy Perry

OMG Friday by Rebecca Black.  I hate my life.

“Rest Your Head on My Shoulder,” by Nathaniel Street-West. Actually not a bad choice, although not really topical for a funeral.

izzylooks:

alexandra-udinov:

opposite-directions:

candicemeester:

k-graham:

wtfisinnerbeauty:

imlyingtoimpressyou:

miracle outro. AMEN. I LOVE IT.

Your Not Sorry - Taylor Swift. HAHAHA…okay…..

friends zone, electrik red. 

Born This Way - Lady Gaga! :)

‘stars’ by the xx?

Thinking of you - Katy Perry

OMG Friday by Rebecca Black.  I hate my life.

(Source: youjustwaitandsee)

April 22, 2011
"Hang on my love and grow big & strong": a letter to a fan, from Iggy Pop.

“dear laurence,

thankyou for your gorgeous and charming letter, you brighten up my dim life. i read the whole fucking thing, dear. of course, i’d love to see you in your black dress and your white socks too. but most of all i want to see you take a deep breath and do whatever you must to survive and find something to be that you can love. you’re obviously a bright fucking chick, w/ a big heart too and i want to wish you a (belated) HAPPY HAPPY 21st b’day and happy spirit. i was very miserable and fighting hard on my 21st b’day, too. people booed me on the stage, and i was staying in someone else’s house and i was scared. it’s been a long road since then, but pressure never ends in this life. ‘perforation problems’ by the way means to me also the holes that will always exist in any story we try to make of our lives. so hang on, my love, and grow big and strong and take your hits and keep going.

all my love to a really beautiful girl. that’s you laurence.

iggy pop.”

(Source: bigmouthstrikes, via soemily)

April 3, 2011
vintageblackglamour: Legendary 1930s blues singer Gladys Bentley. Openly lesbian, Bentley was the headliner at the Clam House, a gay and lesbian club on 133rd street in Harlem where she performed popular songs with double-entendre lyrics in top hat and tuxedo. 


Courtney Gillette (via The real lives of celesbians | AfterEllen.com): 

 

Way before Janelle Monae made cute suits her signature, or Lady Gaga was flaunting her alter ego Jo Calderone, there was Gladys Bentley, flirting and singing the blues in men’s clothing during the heyday of the Harlem Renaissance.

Why no one has paid Betley homage with a proper documentary or biography is baffling to me. She wasn’t just into women (gossip columns were all a twitter when Bentley married a white woman in Atlantic City), she was an openly lesbian performer, who sang the blues not only at rent parties and speakeasies but at well known gay establishments. As for her style and preference for suits (and top hats! Homegirl rocks a top hat like nobody’s business!), she later told Ebony magazine, “It seems I was born different. At least, I always thought so….From the time I can remember anything, even as I was toddling, I never wanted a man to touch me…Soon I began to feel more comfortable in boys clothes than in dresses.”

The sad ending, though, came when Betley caved to the conservative pressures of the McCarthy era and “reformed,” marrying a dude, donning dresses, and saying she’d been cured. She also denounced her former ways as an effort to gain a mainstream audience, but that flopped. Gossip, style, blues, speakeasies, love affairs: Gladys Bentley’s life has the makings of some killer nonfiction. Who’s game?

vintageblackglamourLegendary 1930s blues singer Gladys Bentley. Openly lesbian, Bentley was the headliner at the Clam House, a gay and lesbian club on 133rd street in Harlem where she performed popular songs with double-entendre lyrics in top hat and tuxedo. 

Courtney Gillette (via The real lives of celesbians | AfterEllen.com): 

Way before Janelle Monae made cute suits her signature, or Lady Gaga was flaunting her alter ego Jo Calderone, there was Gladys Bentley, flirting and singing the blues in men’s clothing during the heyday of the Harlem Renaissance.

Why no one has paid Betley homage with a proper documentary or biography is baffling to me. She wasn’t just into women (gossip columns were all a twitter when Bentley married a white woman in Atlantic City), she was an openly lesbian performer, who sang the blues not only at rent parties and speakeasies but at well known gay establishments. As for her style and preference for suits (and top hats! Homegirl rocks a top hat like nobody’s business!), she later told Ebony magazine, “It seems I was born different. At least, I always thought so….From the time I can remember anything, even as I was toddling, I never wanted a man to touch me…Soon I began to feel more comfortable in boys clothes than in dresses.”

The sad ending, though, came when Betley caved to the conservative pressures of the McCarthy era and “reformed,” marrying a dude, donning dresses, and saying she’d been cured. She also denounced her former ways as an effort to gain a mainstream audience, but that flopped. Gossip, style, blues, speakeasies, love affairs: Gladys Bentley’s life has the makings of some killer nonfiction. Who’s game?

(via escritoireazul)

February 21, 2011
Poster for Eisley’s album The Valley. I’m not even a fan of this band, but I think the art is amazing.

Poster for Eisley’s album The Valley. I’m not even a fan of this band, but I think the art is amazing.

February 9, 2011
Meg and Jack White

Meg and Jack White

October 20, 2010

October 19, 2010

(Source: explosiveconscience, via phoolan-deactivated20110202-dea)

September 8, 2010

Shortly before the recording of Give Peace a Chance, John wrote the lyrics on a poster board so that the assembled choir could sing along. The lyrics referenced people who had been in the room that week, and ideas and events in the world at large

Shortly before the recording of Give Peace a Chance, John wrote the lyrics on a poster board so that the assembled choir could sing along. The lyrics referenced people who had been in the room that week, and ideas and events in the world at large

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